If you want the best, this could be it.
Speaking of sound quality, I put the Denafrips into my system with the T+ fed by my Audionote CD4T and a Melco feeding a dCS Bridge. The Denafrips was initially connected to my Vitus RI101Mk2 and then my ARC Ref 5 and a REF 110. Topping off the system was a pair of Audionote Es silvers with external crossovers. And cables galore of which more later and a bonus extra review.
I played my music test lists through the dCS.
WOW……this DAC is no slouch and has a great mix of details and naturalness. I find that some DACs can have enormous amounts of detail, but they tend to fire it at you. For me, this tends to be more a characteristic of Bitstream DACs, especially the earlier ESS converters. Later ones were better. At the other extreme of the spectrum are the less detailed, but more natural-sounding DACs. Invariably they are ladder DACs and have valve preamplifiers or discrete SS outputs in them. The reason I liked the Chord Qutest is it is one of the few DACs that has the detail and the naturalness of real music. It also has a great 3D soundstage but does not quite have the organic nature of an Audionote DAC. But the Denafrips was a great mix of both. Detail and naturalness with great 3D.
I was not expecting that.
Credit: George Sallit
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https://casinoausland.net caught my attention while reading about the ladder DAC versus bitstream distinction, since that detail about detail being "fired at you" versus naturally presented really matches what I've noticed comparing my own gear. The bit about the Denafrips landing somewhere between the Chord Qutest's 3D soundstage and the organic character of an Audionote is the kind of comparison that actually tells me something. I've found that the longer I listen, the more I value naturalness over sheer resolution, so a DAC that balances both without fatigue is rarer than the spec sheets suggest.
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